When the gavel fell last week at the auction of John James Audubon’s “The Birds of America” the price for the rare first edition was almost $8 million—the third highest sum ever paid at auction for a book. But what a book! Its phenomenal size and heft simply doesn’t come through in photos, but the 435 life-size portraits Audubon painted are enormous, reproduced on “double elephant” stock to create a tome that’s some four feet on a side.
Few people get to see one of these first editions in person (only 120 remain), but among them is Cornell art professor Todd McGrain. As part of his initial research for his Lost Bird Project, McGrain was allowed to view Cornell University’s copy, held in the Carl A. Kroch Library. The project is McGrain’s ongoing effort to memorialize, through a range of art forms, birds that have been driven to extinction. In the video above, you can get a feel for the size and beauty of the volume as you watch two white-gloved librarians carry it out for McGrain and carefully turn the pages. For McGrain, it was an opportunity to reflect on Audubon’s artistry, and on a curious and poignant alteration that time has made to Audubon’s great work. Here’s Todd:

I arrived at the library with high expectations, but I still wasn’t prepared for the book’s profound beauty. Not only are the individual images much larger and more colorful than I had expected, they are also more handcrafted. Loose brush marks rest fluidly within the intricate black printing. These marks, made by professional colorists, are at the same time gestural and assured with an ease that only comes with great mastery. The book as a whole is a marvel. Leather binding with gold leaf trim offers the prints a context of grandeur and authority. Read More

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I first got interested in birds when I was 16, all because of a sparrow in my Wisconsin backyard.

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